Canon Eos 5d Second Hand
Is it worth upgrading to a Canon 50D?

Two years ago I bought my trusty Canon EOS 350D second hand, yet I am aware that the model is a bit old and I might consider moving to bigger and better things. I'm considering upgrading to a Canon EOS 50D. It is only within my price range achievable and from what I've heard of it sounds like a good investment. However, I just wanted to see what others thought. The update will not be cheap and I thought it was worth throwing some questions out there. Does anyone have any experience with the 50D, and if so what is it used? What is the quality of the image? Is it a good investment? Would I be better saving more time for a 5D Mk II? Thanks in advance for any advice! Here is my gallery of current work with the 350D http://meganmcminn.deviantart.com/

I have a 50d and I love it! However, I must agree with the comment of other eh, I do not modernize the agency, if it still works. If your still working for you would be better with the body you have and better lenses. Invest in some good lenses and photos wil be better than the lenses you have with your camera body you have. Once your time to improve camera bodies that have some good lenses to go with him and was set up. It could also be a 60d coming out before long, and you would have to upgrade to a full sensor later.

Canon Eos 5d Second Hand

The approach is critical, pixels are cheap

If you shoot wide open, which is the largest opening of the camera, the depth field will be even lower. This means that their approach will be even more critical than anything else. Choose a location that must be strong and really pay attention to maintain the force. Generally, if you photograph people, the most important thing is to keep alive the eyes. When I shoot people, I focus on eyes, shoot, and shoot again … and then do it again. I can not tell you how much I hate the editing and I think a shot can be large, but outside of the eyes are ruining the image. I found that if I am worried about not being a strong image, I usually go well. Pixels are cheap … sufficient to ensure the fire to take your picture!

Shooting stock, know your equipment, your body knows

If you shoot with a broker in the spirit is good to know how high you can push your ISO before reaching the point where the body rejects image. This means that you need to know both your own team and agency policy. Once I was shooting from inside a jeep on a mountain road in China. The scene, road construction equipment clearing a landslide, was illuminated by the headlights of cars waiting for the route you want to delete. I shot the scene, pocket, but propped against the headrest, in ISO 1600 a Canon 1Ds. The worker had this image in your destination (processing of digital files)! They also accepted. With the new cameras, I scruple to shoot 400, I am comfortable shooting at 800 and 1600 do not think it would really be a stretch. But do not take my word for it … to test!

The exhibition and more

RAW (native file format of the camera) has been talked about death, but keep in mind that is more like the transparent film negative film and I personally find that you can safely make another stop at a stop and a half in the post-harvest. RAW JPEG, non! As for exposure, keep your histogram as far right as possible without clipping (one on the board). If you lose your notes (which are on the right side of the histogram) is unlikely you can recover. I guess this way as a digital file a transparent film.

I'm not a big user of camera flash, but it can be a real life saver. I suggest a good starting point is to set the flash to expose at least two-thirds of a stop. This can help to highlight overwhelming, without the image details … and looking as you used the camera flash! If you use the camera flash is usually a good idea to throw or at least a portion of same type of broadcaster.

Use the movement in his favor

Another thing to consider is that a small movement in the image is not necessarily an image of the murderer. Sometimes you can make it work in your favor. A year ago I was filming at the station in Mumbai India. The station is located inside and even though it was not exactly sad, you still qualify as low light. I put the camera on his head as high as I could keep it and pulled a half-dozen tables in one eighth of a second. I just shot six frames because in this developed a machine gun carrying officer politely but firmly informed me that the photograph of the station was banned. This picture, where everything is in motion, there including light poles, has already sold a number of times a stock picture with Getty Images (1377). Sometimes, the movement can make a more dynamic and help convey a mood or message.

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