Canon Macro Lens

When you take a head and shoulders portrait sometimes moving in close. If you use your zoom and fill the frame with only the face, you got more. When filling the entire frame with one eye who have entered the world of photography at the forefront. To go further to see details in the reflection of that eye, which entered the world of macro photography. What someone considers "close" is in the eye of the beholder. (No pun.)

Over the years, manufacturers have confused the camera people when they announce "macro" and, Actually, they offer "close focus". In most cases, when you use a zoom lens closest you can get within 18 inches your subject. When using an approach close to a zoom lens, it may seem that they were closer than 18 inches, as one eye on the photo. But what happens when you start to photograph something that never see the eyes, the reflection in an eye, for example? When distance is too close?

If you photograph a butterfly over the edge of a flower, it would be an excellent use of a macro lens. But let the image of hair on the side of the leg of a butterfly. Oh, yes, it is possible, but the question remains why they want to go that distance? If you're an entomologist (someone who studies insects), then you enter the world of photography Micro. If you're in medicine or more Other fields are very legitimate reasons to go beyond what the human eye can see.

Artistically, however, there is a gray area that Many photographers disagree. If you photograph a subject so close that you can not say what the original issue was, is venturing in the area known as abstract photography. Abstract abstract photography as an art object is often not clearly defined, but leaves more the viewer's imagination. It is intended to be experienced not looked inside from the outside. At this stage, the object original is not really important, what counts is the lines, curves, textures, colors, and how they affect the viewer.

Personally and remember that I speak of a graphic arts background, if you rely solely on the basic design elements of being a painter is not a photographer. There, I confess, I'm a snob picture. Viewers should be able to view the topic in a new way, but I can draw the line when they do not know what the subject.

filters things like bellows and extension tubes do not work in the digital camera Today on average, but still. Even if the goal we have is built on the discussions and not in the end, you can always use filters near go further than he had done before. A point to note that the filters are sharper in the center and tend to focus more on the edges smooth. If you like the depth of field, which is not necessarily a problem because it can isolate the subject the background.

However, if you want more narrow and sharp from edge to edge, you'll need a digital camera Top range that can take the lens. This allows you to use a specific lens and / or add the legacy that I mentioned earlier (Bellows or extension tubes.) One of the advantages digital cameras in general is high resolution. If you want a first end, try a blow to the extreme. If you have one of these new digital wonders can make prints from 64 inches x 48 inches, you can obtain a beautiful image of 8 x 10 with only the expansion of part of the original.

Depending on the equipment you have, you can use any combination of these legacies to get the results you want. Back to the army, I had a captain who led a 110 negative (less than ¼ the size of a 35mm negative) and I wanted a big impression. The laboratory of a really strong impression photo printing 3.5 x 5 inches. I used an RB67 (negative was almost as important as printing) and print copy using the Extension tubes and filters at the cutting edge. The end result is that the captain was able to use a draw of 20 x 30 inches long, aid with the training he told everyone he pulled his camera 110mm. In case you do not know and, most 5×7 inch displays bad image is that the size of the camera. This is why it did not last very long.

You can choose your options and accessories and decide how close, too close for you. But remember, no matter how they draw the design elements still matter. You should always be a balance. Still need to be aware of the great lines. The rule of thirds is something to keep you in mind. Being a great photographer is not about fancy equipment is or how you can take. Being a great photographer, but also make artistic reasons.

This Article Written By: Tedric A. Garrison Cedar City, Utah

Award winning writer / photographer Tedric Garrison has 30 years experience in photography. As a Graphic Art Major, he has a unique perspective. His photo eBook “Your Creative Edge” (http://www.betterphototips.com/creativeedge.htm) proves that creativity CAN be taught.

Today, he shares his wealth of knowledge with the world, at: http://www.betterphototips.com

Need a Canon macro lens gives a great depth of field and detail of good? R = 1252709689?

photograph wildlife, which tends move

My ex was a nature, wildlife shooter. She used a ring flash in front of your macro lens to shoot and the deepest af/32 field, as he could. The flash also "froze" the animal, even if it was moving at the time of the shooting.

Canon Macro lens EF 100 mm 1:2,8 USM